Compare · Watchout

VIIY vs Dataton Watchout

The multi-display veteran against a cue-list server on your own PC.

Watchout has composed multi-display shows since the nineties: one free Producer programs a timeline, any number of licensed media servers play it across projectors, LED and screens, in museums, showrooms and large events. It is the closest product to VIIY in spirit — Windows, timeline, your own hardware — and the furthest in price and scale.

Facts about Watchout were read on dataton.com (WATCHOUT 7 page, the "What does WATCHOUT 7 cost?" FAQ) and knowledge.dataton.com (licensing requirements, updated 27 February 2026) on 4 September 2026.

Side by side

What each one is

VIIY 1.0Dataton Watchout 7
PlatformWindows 10/11, Direct3D 11Windows
Price and licence€399 founding (first 20 operators or until 31 December 2026), then €549 · perpetual · backup machine included · online activationEUR 3,200 recommended retail per media-server licence, taxes not included · Producer free · licence key per server · sold through Dataton partners
ScaleAny number of outputs from one master; one backup; Studio packs for 2–4 independent working machinesUnlimited media servers from one Producer; each licence up to 8× DCI 4K across GPU, SDI or NDI outputs
Show structureCue list with follow / on-end / jump, plus a timelineTimeline with auxiliary timelines and tasks; control cues
PrevisualisationOutput previews, no 3D stage3D stage with display placement
MappingSlices, corner pin, mesh warp with Bezier, edge blend, camera calibration, 10-bit outputGeometry correction, edge blending, masks, multi-channel key and fill
AudioStereoMultiple audio devices per server, Dante, audio bus routing
Video I/ODeckLink SDI in/out, AJA (preview), NDI in/out, Spout in/out, capture devicesSDI, NDI, capture cards, live feeds
Timecode and controlSMPTE (LTC) and MTC in, MTC out, OSC in and out, MIDI learn, Art-Net and sACN in, MCP serverTimecode, MIDI, DMX and Art-Net, TCP/UDP control, Watchnet
Backup during the showBackup server in the licence: receives the show over the network, follows the master, takes over on failureRedundant servers are additional licensed servers
Pixel mappingArt-Net and sACN out, 64 universes, MVR importDMX output; not video-to-fixture mapping as a product feature
Content pipelineHAP converter in the app, relink, collect files, bake cues to fileAsset Manager for preparation and sharing (premium codecs need a licence)
AIAI Showbuilder from a brief; the assistant writes ISF shaders; MCP server for any agent
Track recordReleased September 2026Since 1998, museums and showrooms worldwide

Which one

Pick by pixel count and by who runs it

Choose Watchout when

The wall is enormous and permanent

Museums, showrooms, installations with dozens of outputs across many servers, Dante audio, an integrator on site. Its scale has no equal at this price class.

Choose VIIY when

The show is a cue sheet and one rig

Theatre, corporate, concerts and LED walls run by an operator from a master and a backup they own. Timecode from the desk, pixels back to the fixtures, a licence paid from one job.

Honest caveat

Eight DCI 4K per server is a lot

We have not published a VIIY pixel ceiling per machine; it depends on the GPU and the content. Test your rig with the demo before you decide.